Boynes Artist Award

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Artist Florian Prünster

Congratulations to Florian Prünster for earning his place as a Finalist in the Boynes Artist Award 9th Edition [Emerging Artist category] & a Winner in the Monthly Art Award August Edition!

Who are you?

I am Florian Prünster, based in South Tyrol, Italy, and I work as a photorealistic artist. Although I pursued a career path as an electrician, my connection to art was always present. From a young age, I held a strong interest in artistic creation. At the age of twenty, I embarked on a journey into the world of oil painting. Later, I developed a deep affection for drawing and the expressive power of the charcoal medium. Since my retirement in 2018, I am now able to wholeheartedly dedicate myself to my passion for art. My creative pursuits have led me to exhibitions in several countries across Europe, where I showcase my works.

“I live my dream”

Carbone and Pierre Noire on drawing cardboard

By Florian Prünster

What inspired you to utilize drawing as a medium?

As I explored various artistic techniques, I discovered that drawing offers a unique opportunity to capture intricate details, convey emotions, and bring subjects to life in a highly personal and intimate manner. The tactile nature of drawing, the ability to manipulate lines, shading, and textures, and the precision it allowed for closely aligned with my desire to create photorealistic artworks. Drawing enabled me to convey not only the visual accuracy but also the emotional depth of my subjects. This intricate process of layering, adding depth, and enhancing realism through different strokes and techniques fascinated me and resonated with my artistic vision.

“Homeless”

Carbone and Pierre Noire on drawing cardboard

By Florian Prünster

How would you describe your ARTwork?

My photorealistic drawn artworks are characterized by meticulous attention to detail and profound emotional depth. Every stroke and shading is intentionally placed not only to capture the visual accuracy of the subject but also to reflect its inner nuances and emotions. Through careful manipulation of lines, shading, and textures, I strive to establish a vibrant connection between the viewer and the artwork, where each piece tells its own story. My artworks stand as a testament to attentive observation and the subtle expressive power of drawing, allowing me to capture the essence of the depicted subjects in a truly unique manner.

“Insomnia”

Carbone and Pierre Noire on drawing cardboard

By Florian Prünster

Can you discuss the inspiration and thought process behind your winning work?

My winning work shows a passionate saxophone player in full action. It is the sixth piece in a series of ten artworks featuring musicians that I am currently working on. While drawing, I always listen to soft music to immerse myself in my work and express my emotions and feelings in my artwork. The inspiration for this series came to me during my creative process, as I let myself be inspired by the music.

“Saxophone”

Carbone and Pierre Noire on drawing cardboard

By Florian Prünster

Can you walk us through the technical steps of creating your winning work?

First, the idea was conceived, and then it was crucial to find the right model from whom I personally took the photos. Photographs are a vital element in my creative process. They serve as references for me, guiding me from the initial sketch to the final detailing of every aspect. In this process, I don't aim to create an exact copy of the photographed reference. Rather, my focus is on infusing emotions, depths, and shades into the drawing according to the subject, thereby bestowing a unique expression.


What do you hope to communicate to an audience with your work?

With my artwork depicting the saxophone player in action, I aim to convey to my audience the passionate energy and deep emotion inherent in music and the art of playing an instrument. Through the dynamic portrayal of the saxophonist in motion and amidst their performance, I seek to capture the intensity and expression that emerge in music. Simultaneously, I invite viewers to engage with the creativity and dedication necessary to both create and appreciate such vibrant forms of art.

“Cello Player”

Carbone and Pierre Noire on drawing cardboard

By Florian Prünster

Can you talk about your biggest learning experience during the process of creating your work?

In both art and life, learning never ceases. Every new artwork presents a new challenge, whether in technical aspects or artistic dimensions.

“Doris”

Carbone and Pierre Noire on drawing cardboard

By Florian Prünster

Can you discuss your biggest success since starting your artistic journey?

As an autodidact and in my relatively young artistic career, I am convinced that my greatest success is the culmination of all the past achievements and accomplishments.

Can you share with us the best piece of advice you have received so far?

Well, I haven't received any advice so far that has significantly propelled my career as an artist, which I could pass on.

“Guitar player”

Carbone and Pierre Noire on drawing cardboard

By Florian Prünster

What projects are you working on currently? Can you discuss them?

Currently, I am working on my series of musicians, of which I have already completed six pieces. The entire series is intended to comprise ten artworks. As mentioned before, the process remains consistent: I conceive the idea for the specific instrument, find a suitable model, take the necessary photos, and then create the drawing.

Lastly, I like to ask everyone what advice they would give to their fellow artists, what is your advice?

The advice I can offer to fellow artists is to never give up, believe in yourself, and relentlessly pursue your ideas and goals. That's exactly what I did, putting in hard work and spending countless hours in my studio to experiment with materials, practice various techniques, and develop ideas. It's crucial to always critically assess your own work – What can I do better? Does the image convey the intended message? Did I use the right technique and materials? Only through self-critique can you continue to evolve and apply the insights gained to upcoming projects, rather than remaining stagnant in your development.

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