Artist Sue Dowse
Congratulations to Sue Dowse for earning her place as a Winner in the November Boynes Monthly Art Award!
Who are you?
I’m an Adelaide based artist who has always loved art, whether it be as a spectator or as a participant. I graduated from Advertising and Graphic Design, SA School of Art in 1984 and then worked in an Advertising agency as an Art Director for 10 years before becoming a freelance designer. I still consider myself as a graphic designer but I am not chasing work in this area but rather spending time on my new alternative creative passion in collage art, or as I call it 'painting with paper'.
What inspired you to utilize mixed media as a medium?
Mixed media is a term that I often have to choose to describe my work as ‘collage’ is rarely on the list as a medium. I’m not sure why that is the case as there are a lot of collage artists out there, however I feel they aren’t given as much weight as other artists. So it is wonderful to be recognised by the Boynes Emerging Artist Award with my collage artwork. The majority of my work is solely created out of paper, however I sometimes use acrylic to paint on a background colour or to add splashes of colour if needed. I was inspired to use this medium as it was a way to use recycled paper materials and print media which I feel gives my artwork a really unique look.
How would you describe your artwork?
I would describe my artwork as colourful, detailed, unique and intriguing. I use recycled magazines, old newspapers, brochures, posters, type, maps, photos, patterns and more to create one-of-a-kind collages. My inspiration comes from nature, the ocean, animals, iconic movies and stars, music and sporting legends, fashion and food. By ripping and cutting up pages from magazines I am able to capture a moment, a movement or expression just like in a photo. I love people to lose themselves in the artwork, scanning the fine detail and each small piece of paper to discover the text and images that tell a story and intertwine to make these unique ‘paintings’.
Can you discuss the inspiration and thought process behind "Wet dog shaking"?
I have two black dogs that just love water, often chasing the spray from the hose. They were out on the back lawn with the sun behind them when they shook their coats and the idea was born. I have done a lot of dog collages in the past but wanted to try to show movement in this one rather than a static face. I knew that to get this movement it would mean using lots of really small pieces of paper which was challenging and time consuming, but worth it in the end.
Can you walk us through the technical steps of creating "wet dog shaking"?
Trying to get a reference photo of my dogs shaking was difficult, but I always like to start with something. Then I just draw up a rough sketch and trace an outline onto the canvas. But firstly I did paint the deep night blue background with acrylic paint as I wanted the bright colours to pop off the dark background. Starting with the dog I worked out the bright colour palette and then had to search through my magazines to find the right pieces of paper in the right colours. Lots of time is spent flicking through magazines finding all the colours. I like to start with the eyes and work outward cutting or ripping, placing and gluing each individual piece of paper. If the wrong colour is glued down it can be easily replaced and the artwork slowly starts to take form. Once I have most of the dog completed I start on the foreground, leaving the sprays of water until last. It really was a matter of building up each colour in the circular motion to try and get it to resemble a water spray. Finally adding the highlight white sprays that appear in front of the dog itself. My artworks can often take weeks, working on them a bit everyday. I knew this piece would be interesting to watch as it comes together so I set up my iPhone and recorded it as a time lapse. This was difficult mainly because my works take so long to complete. (These time lapse videos can be viewed on instagram - just go to my reels under suedowseart).
What do you hope to communicate to an audience with your work?
That unique art can be created out of anything such as recycled magazines and any other form of print media in my case. I like to invite the viewer to come closer and see beyond the image to its construction. Within the colours are texts which I have transformed to create new meanings and these texts and images can take you on a journey. They tell their own story to be interpreted or just enjoyed. I want the audience to experience with me the pleasure which comes from producing these unique pieces. My sea turtle artworks, for example, have references to saving the oceans and the environment or my Elvis collage takes you on a journey of his life if you look closer at all the items that have gone into creating it.
Can you talk about your biggest learning experience during the process of creating your work?
The main learning curve with my technique is that I have established that it works better to have one main focal point, such as a face rather than a group of people, for example. If there is too much going on then the final result isn’t as dynamic and loses impact. I tried to create a river scene with a log fire in the foreground and trees in the background and it just didn’t work and your eyes didn’t know what to look at first. Whereas if there is one main image I hope that it is bold enough to basically hit you in the face. The other thing that I still have to work on is to not get tied up in the minor details and to loosen up and look at the whole picture. Letting go and being free with my artwork is something I will always have to work on as it doesn’t come easily to me.
Can you discuss your biggest success since starting your artistic journey?
Starting to have my work recognised and people enjoying it is really what I consider a success. It was a thrill to appear on the cover and inside spread of SA Weekend, a liftout from our main South Australian newspaper as an emerging artist exhibiting in SALA (South Australian Living Arts Festival). Being able to exhibit my work during SALA and through online galleries and receiving comments and feedback that help me to grow as an artist is what this journey is all about.
Can you tell something you wish you had known before or when you began your career that would have really helped?
Learning how to recognise what it is you want to do with your art that truly makes you happy. I was trying to find a passion outside my graphic design and it took me a few years to realise that it was staring me in the face. Not to doubt yourself and realising that it is not a race and to enjoy the ride. That there is no right or wrong way to go about doing your artwork and becoming established can take years and years. That the marketing of the artwork is often more challenging than doing the artwork itself and finally to trust ones instincts and abilities. These are all things that would have been great to have known before I began but really you have to live and work through it to know any better.
What projects are you working on currently?
I’m working on an amazing collage that I have been commissioned to do. This collage named ‘Helen’ showing her in her wedding dress and veil has been a real challenge but so rewarding and exciting to do. Using only newspapers from 1952 (other than the red) which are fragile to use often ripping or splitting when cut. Trying to create the tonal values from only these papers is difficult and finding out that the glue stains the pieces of paper also makes it problematic. It has been created to look like a ‘Pix’ magazine cover which was a popular magazine of the day in the 50’s. I’m really pleased with the result. The woman in the piece is now 92 and still looks as amazing as she did on her wedding day.
What is your dream project or piece you hope to accomplish?
My dream project is every piece I start. It has to be that way so I put my all into it.
As a winner, do you have any advice for artists who want to submit to awards, competitions, residencies, etc.?
Don’t give up and only compare your work and progress with yourself not other artists. Look back on your early artwork and see the differences with what you are doing now, and try to learn and recognise what has worked and what hasn’t.
Lastly, I like to ask everyone what advice they would give to their fellow artists/photographers, what is your advice?
I guess it is to be brave and never be afraid to try something new, even if you may fail in doing so. Then to get back up and try again. The more failures we have the more we all learn.
To view more of Sue Dowse’s work