Put your “artist mind” aside and look at your work purely with a “business mind”. Every so often, I make time to sit down and submit to relevant contests, awards, scholarships, etc (I put it on my calendar to make sure I do it). Submit intelligently - pay attention to what the publication/contest is about. For example, I don’t submit to awards or contests that mainly feature documentary-style photography even if they list “Conceptual” or “Fine Art Photography”. This will save you time and  money. 

Work, don't wait for enlightenment, muses or inspiration, just work hard. And of course always fail, start again and fail better. Not looking for the art, but discovering what all develops during the production.

I think it's really important to start being aware of how people, particularly your audience, will connect emotionally to your work. Sometimes it will be in ways you didn't expect, and it might be different for different people. Learn who to share your work with, and don't take it personally when it doesn't resonate with some people. The other thing that I would say, is to examine what is stopping you from making art, or making more art, or making your best art. It might be a habit you need to drop or develop, it might be to do with your working environment, or it might be to do with mindset, either way, give the art what it needs, and try to remember as much as possible how lucky you are to be able to do what you do.

If you have a sensitive spirit, there is no shame in being private about your work as it develops. Though there is a perception in current culture that we must publicly share every moment, I find my best work comes from within me during periods of intense solitude. Be purposeful about guarding your studio time. It is easy to convince yourself that marketing, advertising, accounting, teaching, or even organizing your creative space count as studio time. While those tasks are essential, it is crucial to protect the time you spend creating.

Don’t be afraid to make mistakes. Be bold, fearless and keep learning from everything you do to build your visual vocabulary. Trust your inner voice, you know yourself best. Go after things that mean something to you. Finding your voice takes a while. It doesn’t happen right away, it’s a lifelong endeavor. If you have the openness to learn from your failures as well as your successes, with work hard and dedication, you can be successful. Just make art you love and people will see it come through in your work. Keep your sense of humor front and center. Always keep a small sketchbook with you and draw everywhere. And have some animals in your life. My cats make me laugh all the time!

To be honest, I don't feel qualified to give this kind of advice. This is my first contest. I just dared to do it and was persuaded to do it by my beloved wife, who helped me a lot to believe in myself. In conclusion, the only advice I can give at this point is simply to "believe in your art".

General advice is to is to get to know some of your local photographers and get to know their work. And I kind of get inside their heads a little bit and learn, how they visualize their own work. And in some cases, you can really, you can really advance your own work by learning how other people visualize as well. As an artist, never work as a singular person. Always get out there and interact with other artists. Socialize with them, get to know them, talk to them, and understand their work. A person can only grow by doing that.

Always don’t be afraid to experiment. I know it is scary to step out of your comfort zone, but it is worth it eventually. I try to experiment as much as I can and since I work really intuitively, I often accidentally create a piece that is really fun.

I strongly believe that artists should take advantage of every opportunity to showcase their work. This is because it is crucial for artists to get their work in front of as many people as possible, especially those who appreciate their style and genre. Submitting your work to awards, competitions, and residencies can be a great way to connect with a wider audience and find "your community" in the art world.

Even though you may be very experienced or confident about something, when creating art, it's like solving a problem of all possibilities. Seeing your work from a child's perspective is to be honest and pure, to be curious, to be open, and to be free, rather than sticking to one aesthetic, one style, or one answer. If a work of art is "finished," the work is also dead.

Be you. Do NOT change what you enjoy making to fit a venue, competition, or gallery. From my experience, when you change your art to specifically please others, there is no passion in the work. I have done this in the past, and always regretted it. Sure, the work was technically acceptable, but there was no LIFE in it. There was no joy in creating the art. My viewers could tell I was going through the motions and just painted because I had to get it done. 

Instead, create YOUR art.

I advise artists to be genuine and authentic with themselves and express their truth. Don’t settle for what is easy and acceptable. Work hard, be ready, and take advantage of every opportunity in front of you.

One thing that made a difference in my photographs over the past year was learning how to critique other people's work. My advice is to spend some time learning how to really critique photographs. I don't mean deciding whether you like a photo or not. I mean learning how to critique the building blocks that make the photographs impact, the technical elements, and the composition.

Have fun with your art. Experiment with everything you can. You will have ups and downs with your art, so roll with it. Also, art is open to everyone’s interpretation. So not everyone will like your art and it's okay. Lastly, make sure you are doing stuff that you enjoy. You don’t want it to feel like a chore when you are working. You want to love what you do.

“Inspiration is for amateurs.” I still think that is probably true. Waiting around for a good idea is maddening. Good ideas fall into dirty hands.

I keep busy. It’s the wonderful thing about my divorce from the conceptual model. My hands, my eyes, are doing the thinking. There is less and less cognitive construction of the work. The work has its needs and I, in many ways, subjugate my own needs to meet the needs of the work.

Do what you feel in your heart, and learn the thinking and works of excellent artists. Good things and good works should be learned with a lower mind. Have an inclusive attitude.

Never stop learning. Don’t ever think you know everything there is to know about your craft. Creating art means having a constant pursuit of knowledge, growth, and increasing maturity no matter what phase you’re in or level of achievement. Make art for YOU.

It takes time to refine your technical skill and creative process, so do something that adds to your practice daily. Also, keep on top of admin. It's a beast that can quickly get the better of you!

I very naively thought that I could take a year off, create a bunch of beautiful artworks and sell them. I’ve learnt that being an artist is 50% creating art and 50% attempting to run a business and be a marketing manager, a graphic designer, a photographer, a web-developer, a salesman, a networker so that my art can actually be sold. I am so grateful for the Boynes Emerging Artist Award for supporting and helping artists get exposure.

Do what you love to do and plan for spending time working at getting better at it. That dedication I believe becomes apparent in the work. Having said that, applying for things is sort of a numbers game. Expect a lot of rejection but know that something positive and lovely is bound to happen as well. Also, expect to not expect when and where that will happen. I have also learned however that the accolades are definitely not something one should base their self-worth on and that’s why it is really important to be grounded in the work and what it does for your own experience in life.